Maker democracy: Roberto Unger, progressive politics, and collaborative experimentation

It is Maker Day. You catch the ziptrain into the city. As the conburbs flash by, you browse the Maker Day app on your phone. Maker Day has only been around a couple of years. The Democrats got it started in 2020, after they seized the White House back from the Republican Party. The idea was to redress unemployment by cutting the working week to 4 days and making the 5th day Maker Day. This bold initiative has already paid off in a number of ways, not least by giving the unemployed something to do on Fridays.

Maker Day makes social innovation a community exercise. It gives ordinary citizens the power to collaboratively redesign social and political institutions. Some say it has revitalised the nation.

Outside the Maker Day pavilion, crowds of people are testing robots and drones. MAKE HISTORY says the sign above the door. You weave inside, looking for your crew. They are usually in the Library, but a Kidpreneur workshop is in session there and they are not to be seen. You study the grid on the giant whiteboard in the Community Hall, trying to decide what events to attend. For the last couple of Maker Days, you’ve helped a group of lawyers, urban planners, and community activists design a corporate-community partnership framework for organisations working to revitalise urban space. But this project is in prototyping mode, gathering data for a public review. You prefer to work at the coalface. As you MakerID says, you are an Ideator.

Today, you decide, you’ll pitch in with the Home Care Sharing XChange. Unless something else grabs your attention first. Maker Day kicks off Open Space style to ensure that there are always new projects on the table. People propose ideas for hacking institutions, and if an idea is popular, working groups are formed about it. Today’s open space sessions include some totally off-the-wall ideas, including: ‘Virtual Reality Gaming and Palliative Care: The Final Quest’ and ‘F*@k the Police: Urban Crime and Total Surveillance Solutions’. The great thing about Maker Day is that projects are experimental, so the wilder, the better. The aim is to generate institutional alternatives – as many as possible. Only a fraction of the ideas will be implemented. But who cares? The point is to have fun and be creative, and to work with people on disrupting the political imagination.

Maker Day is where the future happens. This is creative democracy in action.

Lines of flight: Deleuze and nomadic creativity

‘I am not a number – I am a free man!’ Patrick McGoohan cries in the 60s cult-TV series, The Prisoner. McGoohan plays a British spy who is held captive in a village on an island controlled by a faceless authority. The prisoner, known only as Number 6, has resigned from the secret service. It seems to be his crime. In the opening sequence, we see him burst into his spy chief’s office and passionately submit his resignation; he is subsequently drugged, kidnapped, and whisked off to the island. We never find out why he quit. 

The authorities on the island are as perplexed we we are. The prisoner is told that he will remain interned on the island until he has explained himself. But the prisoner refuses to do so. Instead, he seeks to escape. Insistently. The prisoner’s whole tenure on the island (the entirety of two seasons of the show) consists of attempts to escape and flee to the mainland.

Captured by the eerie bouncing balls that guard the island, the prisoner is hauled before Number 2 and issued a sardonic dressing down. ‘In a society, one must learn to conform’, Number 2 tells him. 

‘I am not a number – I am a free man!’ the prisoner replies. The moment he is alone, he is preparing to escape again.

We can see The Prisoner as a metaphor for the sixties counterculture. According to the French philosopher Gilles Deleuze (1925-1995), the counterculture was defined by the many ways that groups and individuals sought to escape the society of normalisation and control that their parents’ generation had helped create. 

The driving impulse behind the counterculture was not just to oppose the status quo, it was to get free of it – to head for the horizon with bloodshot eyes on experimental lines of flight (fuite – this can mean leaking, fleeing, or escaping). 

Lines of flight are bolts of pent-up energy that break through the cracks in a system of control and shoot off on the diagonal. By the light of their passage, they reveal the open spaces beyond the limits of what exists. 

In a series of books written with the militant psychotherapist Felix Guattari (1930-1992), Deleuze linked human creativity to flight. It is our desire to escape the status quo that leads us to innovate. Like the prisoner, we dream of being anywhere but here. We coordinate, form alignments, combine our powers and innovate. We remake the world on creative trajectories.

Deleuze’s idea of lines of flight can help us clear up a common misconception about the sixties counterculture. The counterculture was not fundamentally oriented against mainstream society. It was oriented away from it. 

It is true that the counterculture was defined politically by the rejection of the society that existed at the time. The Free Speech movement and Students for a Democratic Society were opposed to US government policies, especially the war in Vietnam. It is also clear that, in the 1970s, the militant end of the counterculture positioned itself against the state in the hope of creating a popular movement to overthrow it. But the counterculture per se was oriented away from mainstream society. Being against was a means, not an end. 

This is evident in Woodstock generation, which was driven by the desire for another world and way of life, and inspired by the belief that this world and way of life was possible. Having a ‘countercultural’ attitude and outlook does not necessarily imply that one is hostile towards the mainstream. It signals a desire to leave the society that exists, to leave it to its own devices, and to grow creative (with new devices) with other like-minded people.

The Apple I was hacked together on a creative line of flight. So, by and large, was the internet.

One of the best expressions of countercultural line of flight is the the 1960s and ’70s back-to-land movement. Drop City, in Colorado, was the first of many hippie communities that sought to create a new kind of society​. Between 1965 and 1973, thousands of middle class kids, in flight from Mom and Dad, society, the draft, careers, and social conventions of all kinds, came to Drop City and other communes like it in search of freedom and alternative lifestyles. 

The culture got by with a minimum of rules. Everything was set up to enable free-wheeling, nomadic lifestyles, which could be recreated or escaped at a moment’s notice. Nomadism, as Deleuze and Guattari understand it, doesn’t require moving around. You can sit still and be a nomad. Nomadism is a way of being. It involves refusing to be tied down by set categories and definitions. It is driven by a desire to experiment and explore, to learn, grow, and boldly venture forth on creative lines of flight.

The hippie experiment collapsed under the weight of its contradictions. Over subsequent years and decades, the counterculture thrived. Today, the counterculture has been absorbed into the system of society – domesticated, to an extent, yet affirmed and enabled at the same time. The corporate mavericks who shake up markets with disruptive innovations create businesses on lines of flight. Each generation of teenagers is encouraged to define a new line of flight, starting with the rejection of the sounds and styles that have come before. 

Nomadism is a cultural norm. While plenty of people simply want to ‘fit in’, the best and the brightest want to break out and head for the horizon.

When we look into the future, we dream of a world that is radically different from the one we know today. 

We may be stuck in offices, trapped in traffic, tied down by debt or shacked to unhappy relationships. Inside, we are nomads. We are already in flight. The mainland awaits.

Social media as gift culture: the prismatic self

This is the third post in a series on social media gift cultures. The series draws on indigenous gift cultures to examine the psychological and motivational dynamics of social sharing online. The first post in the series, The reputation game, looks at the North American Potlatch to reflect on the enticements and rewards of sharing online. Social sharing involves a reputation game. The aim of the game is to win the favour of your tribe by presenting them with exorbitant gifts.

The second post in the series, Sharing circles and tribes, considers how tribes are formed online. Tribes emerge when participants share with select users, who return the favour by sharing with them. These sharing circles are typically based in common values and interests – hence, so are tribes. I indicate the unstable nature of sharing circles and how an affirmative attitude towards gifting helps sustain them. Imbued with the ‘spirit of the gift’, the gift becomes a token of gratitude for the sharing circle and the tribe it maintains. The more that we cultivate this spirit in our online exchanges, the more robust and fulfilling they become.

This post considers the challenges of sharing across multiple systems online. Active users of social media are often engaged across multiple sites, groups, and activities in real time. Multi-tasking online can be a source of signficant consternation. While missteps (below the threshhold of the screaming faux pas) are mostly overlooked, this doesn’t reduce the anxiety that users (particularly new users) feel when tasked with sharing across multiple channels in real time. It is easy to lose track of how one is expected to behave in different contexts.

When tech journalist Paul Miller returned to the internet after a year off, he was surprised to find how stressful it was to multi-task across services. ‘I had, like, three tabs open and I just didn’t know what was going on’, Miller complains. This is a familiar experience for users of social media, who struggle to keep up with the flow of information on multiple channels.

The solution is to find your tribe. Sharing across multiple channels is easier when we share with our tribes in mind. A thriving tribe gives back more than we contribute to it. Tribes are a living reservoir of cognitive capital and an infinite human resource.

2045 United Federation Report on the Great Transition: The Culture of Transition

The following passages are taken from the 2045 United Federation report on the Great Transition. This report, released on the eve of the East-West Realignment and founding of the United Federation in December 2045, was the first comprehensive account of the shift in social and economic relations that swept the world between 2015 and 2040, a period known as the Great Transition. The paragraphs are taken from Part 3 of the report, which deals with the role of sharing and social innovation in the Great Transition. For the complete report, see Realignment Mandate 12337 (released by authority of UF Secretary-General Tirrab Hassan 04/04/75).

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2045 United Federation Report on the Great Transition

Part 3: The Culture of Transition

Parts 1 and 2 of this report have outlined the policy and strategic planning work that underlay the Great Transition. We have described the vision shifts in energy and carbon policy that enabled the rapid development and roll out of carbon negative infrastructure, and the social policy associated with the transition to a Totally Mobilized Agenda, including the adoption of civil agency and ‘zero unemployment’ schemes, massive federal and state investment in sustainable cities, and the expansion of the social enterprise sector as a viable hub for commercial investment. We have seen how these policy and planning shifts contributed, between 2015 and 2040, to the re-engineering of the international economy and the creation of a global carbon negative environment.

Part 3 of the report looks at the social and cultural changes associated with the Great Transition. We leave aside the oppositional and countervailing views expressed in parts of the online and corporate media in this period. These views, and the reasons why they lost purchase on the public imagination through the 20-teens, are discussed in Part 4 of the report (see also Appendix 2: Dangerous Liaisons: Big Oil Inside the Beltway). Part 3 seeks to explain the widespread and well-documented shifts in social and creative culture that gathered steam in the 20-teens and fuelled the forces of Transition. We are particularly concerned to understand the role of ‘open source culture’ in this period and how it contributed to new historical framings and existential orientations.

Swarms and norms: refiguring the multitude

A few years ago, I published an essay in the journal Radical Philosophy titled, ‘Refiguring the multitude: from exodus to the production of norms’ (2005). It was about swarms, though I didn’t know it at the time. The publication was a coup for me. I was a struggling contract academic, vying for attention. Radical Philosophy was an ‘up there’ journal in political philosophy circles, edgy but respectable. My paper was one of the first academic responses to Multitude (2004), Michael Hardt and Toni Negri’s sequel to their best-selling book, Empire (1999).

The essay was a bit of dog’s breakfast. But the crux of the argument resonates today. I have pasted some paragraphs below. If you are into Deleuze and social movements, this one is for you.

Re-reading ‘Refiguring the multitude’ for the first time in years, I am struck by how much of this material has become part of my mental DNA. I didn’t realise at the time, but ‘Refiguring the multitude’ was crucial to my intellectual development. Multitude certainly resonates with the high-tech world of 2013. Empire and Multitude are books you should have on your shelf, whatever part of the political spectrum you inhabit. They are books about globalization. Hardt and Negri are essentially right. Of course, they are wrong in important respects too.

The paragraphs from ‘Refiguring the multitude’ that I’ve pasted below are the crux of a line of thought that I started developing in 2002 or 2003. It was a response to the failure of the anti-globalization movement that got started in the 1990s. I was looking for a theoretical trajectory that would enable me to continue on the line of flight that I’d experienced at the height of this movement (1999-2001), this time reflecting on how swarms and social movements could contribute to creating something, in the first case, a new set of norms.

In retrospect, it is easy to see how I stepped from this argument to write Coalition of the Willing.

Beyond ‘brand you’: reflections on social authenticity

When I read this, I laughed. It rings true. I retweeted it because I wanted to put my stamp of approval on the idea. One thing that I love about about Twitter (and other forms of social media) is that you can affirm your own values and intuitions by affirming someone else’s. This is a good thing, but it can also be a bad thing. It enables us to speak in other voices and say things that we agree with but might not have the courage, art, or nous to say for ourselves. It also enables us to speak without thinking too much, which is the bad thing. It is easy to get caught up in the process of RTing and sharing and wind up ‘passing the word along’ and not saying very much.

Tom’s tweet got me thinking about personal authenticity online. It is not easy being authentic on social media. If the philosophers are right, it not easy being authentic anywhere.

The tweet resonated with me for a bunch of reasons. I am currently working into a book some of the material that I’ve posted recently on this blog, namely the posts on Foucault and the ones on social media as gift culture. In the course of this work, I’ve come to see that the perspective on online identity-formation (or ‘creative self-affirmation‘) that I developed in these posts is too cursory and glib. It needs specification, at least. Creative self-affirmation is not spin. It is not the kind of shallow self-branding that Peters (who knows more about branding than most) is aiming to contest. What I call creative self-affirmation is a matter of affirming your unique, personal value. Peters is right: the key to self-branding online is to become ‘extraordinarily/noticeably good at something of use/significance’ in the real world – to become something and brand that. All the online self-affirmation in the world – through tweeting, posting, pinning, +1ing, following, liking, favoriting, and sharing – won’t make you worthy of branding unless you are someone of worth. So be the best version of who you are. We all have our superpowers – what are yours?

Five books that shaped my thinking

My thoughts are shaped more by life than books. The world is a book that we read implicitly. If the problems of the world do not engage us and inspire a response, a book will do nothing for us.

The following books have played an important role in guiding my work in the past decade. I have read many good books in this time, but these five stand out. The common factor is that they inspired me to break with ideas that I had become comfortable with and seek out new lines of inquiry. As Thoreau said: ‘A truly good book teaches me better than to read it. I must soon lay it down, and commence living on its hint. What I began by reading, I must finish by acting’.

1. Empire by Michael Hardt and Antonio Negri (Harvard University Press, 2001)

I read Empire in 2001, in the final year of my doctoral research. I was writing on the relationship between Martin Heidegger and Michel Foucault, two of the most important European thinkers of the 20th century (some years later I published a book on this topic, Foucault’s Heidegger). Meanwhile, I was following the progress of the anti-globalization protests that erupted about the world after the Battle in Seattle in November 1999, participating where I could. Empire provided me with a theoretical perspective on these events that shaped my research output between 2002 and 2008 and fed directly into the script for Coalition of the Willing.

Hardt and Negri’s argument in Empire is that neo-liberal economic globalization should not be understood as a kind of imperialism (where a hegemonic power invades other countries to capture their resources), but a new form of empire that tolerates no external limit and seeks to incorporate all life within its order. This empire employs the internet to organize the global multitude into a productive force; yet as it does so, it enables the multitude to form swarm-like pockets of resistance that coalesce across borders to challenge the status quo. Hardt and Negri propose that the multitude will eventually realize its collective power and establish a new political order based in the productivity of the commons.

Smart data: towards a social change enlightenment

Three hundred years ago, the spread of science and liberal revolution inspired thinkers to claim that society was on the brink of an enlightened era. Today, as new data-driven technologies exponentially increase our ability to understand social problems, new strategies engaging the heart and the head boost the impact of social change programs, and tested techniques for evaluating impact reduce the cost of programs and ensure that funding flows in the right directions, there is reason to believe that we are nearing a new socio-technical threshold.

As David Bornstein claims, we are riding the verge of a social change enlightenment.

We can see it in the way that we are tackling social problems. For decades, social reformers labored under a vision of human beings as self-maximizing rational agents, a vision developed in the first enlightenment and perpetuated in the field of economics. Today, as Bornstein claims, we’re seeing the death of ‘homo economicus’. New research in neuroscience and behavioral psychology is showing that we’re not as rational as we thought. We certainly don’t respond rationally to social problems. Today’s generation of changemakers are taking this lesson to heart. Successful social change programs are targeting the heart as well as the head, effecting change by appealing to ‘non-rational’ factors such as emotion, group identity, and relationships.

The family history of Facebook: how social media will change the world

I’m fascinated by social media. My Gen X friends can’t understand it. Most of them are too busy struggling with families and careers to spend time glued to Facebook and Twitter. For them, social media is a time suck, at best, at worst a gross invasion of privacy. When I tell my friends that I’m teaching on social media, I get one of two reactions. Either they leer conspiratorially, as if to say: ‘Lucrative. Smart!’, or they smile sympathetically, as if say: ‘It must be tough being a philosopher, having to root around for trendy topics to keep people interested’.

Love them as I do, my Gen X friends don’t understand social media at all. They don’t understand social media, so they don’t understand what social media is doing to us in this moment in history. They don’t understand what social media is doing to us, so they don’t understand the historical importance of social media. They don’t understand the historical importance of social media, so they don’t understand why I am obsessed with the medium itself.

It is time that I laid my cards on the table. I am a social philosopher. I am interested in social and cultural change. I believe that social media is the catalyst for cultural change in the world today. As such, it is probably more important than anything else you could care to mention.

‘We are capable of incredible things’: Tim Rayner interviewed by Frederick Malouf on Bondi FM

I spoke with the indomitable Frederick Malouf on Bondi FM a few weeks back about philosophy, trust, collaboration and the meaning of life. I’ve transcribed some choice snippets below. You can listen to the whole interview here: Interview – Bondi Locals @ Bondi 88FM.