Promises to myself: ten philosophical resolutions

Don’t you love the feeling when you realise that your work for the year is done and there’s no reason why you shouldn’t kick up your heels and relax? I woke up with that feeling this morning. I’m off to Vietnam at the end of the week and I can feel myself being drawn towards the plane.

Bon voyage, friends and fellow philosophers, wherever you may venture this holiday season! I’ll see you again in 2014 with more adventures of the cerebral kind.

I’ll leave you with a list of philosophical resolutions for 2014. I’ve lifted them from some of my favourite posts on this blog. I’ll be taking them with me on holiday. Promises to keep.

1. I will say ‘yes’ to life.

‘To complete Nietzsche’s three metamorphoses, the lion must become a child. ‎Maturity, for Nietzsche, means rediscovering the seriousness one had as a child at play.

A child-like spirit is vital to happiness, health, and well-being. “The child”, Nietzsche says, “is innocence and forgetting, a new beginning, a sport, a self-propelling wheel, a Sacred Yes”. The lion becomes a child when the individual who says “I will” ceases to affirm their values contrary to the law of “Thou Shalt”, and affirms them instead “for the sport of creation: the spirit now wills its own will, … its own world”. Life is no longer a reactive struggle to defeat other forces. Life is a celebration of one’s powers – a sustained act of pure affirmation. The child-like spirit knows the joy of life and the innocence of perpetual creation’.

From Nietzsche’s three metamorphoses (February 2010)

2. I will grow collective.

‘Love is a disruptive event that opens people to a new terrain of possibilities and a common vision of what they might be together. I find this aspect of Badiou’s argument tremendously interesting. When people find love, they realise life offers them more together than it does alone. They realise that they can do more together, and thereby discover a tremendous responsibility and risk. Can they be worthy of this common possibility? What level of dedication and trust is required to realise it? Love, Badiou claims, requires that we reinvent ourselves – together. It is a project of co-construction – the kind of event that we need to constantly work at in order to sustain’.

From Life changing love: Badiou and the birth of possibility (January 2013)

Odysseus and the Cyclops: mastery, humility, and fate

Odysseus was the hero’s hero. King of Ithaca, he sailed to Troy with an army of men to liberate the princess Helen from the Trojans. Odysseus’ leadership and prowess at Troy made him a legend among his fellow Greeks. Yet, Odysseus had a fatal flaw, and this would be his undoing. Odysseus could master a chariot and a phalanx of soldiers, but he wasn’t always the master of himself. Every now and then, his pride would get the better of him and he would become wild and unchecked, a primal force of passion and fury.

In these moments, Odysseus would forget the limits of his powers. He would believe that he was god-like and untouchable, the master of fate and destiny. He would lose his grip on reason. He would overreach himself and get himself into all kinds of scrapes.

Finally he messed up big time. The epic misfortunes of Odysseus’ life, dramatized by Homer in The Odyssey, hinged upon a single lapse in self-control. Odysseus’ error presents valuable insights into the kind of self-control that we need to deal successfully with change. Most importantly, it indicates how pride, or hubris, constantly undercuts our attempts at self-mastery. We believe that we are masters of the world. We overreach ourselves and wind up victims of the world instead.

Homer describes Odysseus as a master strategist – a ‘man of twists and turns’. It was Odysseus, at the siege of Troy, who devised the plan for getting the Archaean army into the city. Disguising himself as a beggar, ‘searing his body with mortifying strokes and throwing filthy rags on his back like a slave’, Odysseus stole into Troy and read its defences. The princess Helen, prisoner of the Trojans, recognized him and demanded that he tell her his plan. Odysseus gave it up reluctantly. The Archaeans would build a giant horse and put soldiers in its belly, giving it to the Trojans as a gift. It was a crazy scheme but it just might work! Under the cover of darkness, the soldiers would creep from the horse and throw wide the city gates and the Archaean army would come pouring in. This is how Odysseus, ‘master of any craft’, facilitated the conquest of Troy and liberated Helen.

Hug the monster: own your anger and use it

Marvel’s The Avengers (2012) won’t ever be mistaken for high art. But the film at least has some character development wedged between the fighting and explosions. My favourite moment in the film comes towards the end, as our heroes battle an army of flying fiends in New York City (where else?). Dr Bruce Banner (Mark Ruffalo), aka the Hulk, faces down a flying robotic lizard creature the size of a A380, which Tony Stark (Robert Downey Junior), aka Iron Man, has kindly steered in his direction. As Banner, still in human form, trudges down the street to confront it, Captain America (Chris Evans) suggests: ‘Doctor Banner, now might be a really good time for you to get angry’. ‘That’s my secret, Cap – I’m always angry’, Banner replies. He shapeshifts into the Hulk and suckerpunches the flying lizard on the snout.

This scene marks the completion of Bruce Banner’s character arc in The Avengers. Previously in the film, Banner had divorced himself from both his Hulk alter-ego and the anger that causes him to change into the Hulk. He’d refer to Hulk as ‘the other guy’, meaning ‘not me’, and remained a picture of calm when he wasn’t turning green and decimating everything in his path. In this context, Banner admitting to an abiding sense of anger represents a reconciliation, of sorts. The anger that creates the Hulk comes from Banner himself. Banner is the monster. L’Hulk, c’est moi.